Quote:
Originally Posted by
Enlightened Hand
β‘οΈ
Mixing isn't about the gear.
The better you get at mixing the more true that becomes. The gear is the set of tools you're using to build a thing. Only in this profession have I seen people obsess over the tools. Architects design things. Carpenters fashion things out of wood. Glass blowers make glassware and sculpture. Artists create various works.
All of these professions and many more, creative and utilitarian, require tools. All of them have levels to their quality of tools and all of them appreciate quality.
But none of them are as sheeplike and silly as the audio production community that goes out of the way to obsess about tools as though all you need is the right tools to be legitimate, or to get high quality work done. It's so stupid it's like pre-school with adults.
I both have and appreciate analog signal processing gear. But ultimately I've found that maintaining a flexible, comprehensive all analog mix setup that could rival a good ITB setup is so crazy expensive that it's not worth it if getting things done is your goal over looking cool.
I want to get things done. And I don't want to pay tens to hundreds of thousands to keep my options open. Yeah you can buy a cute little mini analog setup and then congratulations you're a cool kid with a lot of metal boxes. But that doesn't make your mixes good. I guess it's good for the ego. But why tf would I care what a bunch of randoms think about my equipment? That would be the definition of insecure.
And THIS here...is the conclusion i've came to when I started mixing ITB. I was buying things merely to experiment. Like "ooo what would my stuff sound like if I had a hardware SSL style bus compressor?...what if I had a summing mixer...etc."
I would buy things, use for a few months...find out plug-ins do exactly what I could do with the hardware units, with the added convenience factor of being able to re-call sessions and settings exactly as I left with them without charts and sheets to outboard settings...and be able to offline bounce and send back to an artist within minutes.
Time saved...money saved...
Summarized -
For recording:
I think hardware is absolutely needed, and I can get as slutty as I like...
For mixing:
Not really needed in my honest opinion...