Quote:
Originally Posted by
SmokeyChuck
β‘οΈ
What a strange question. If you want NS10s you should go to reverb and purchase a pair. They were mass produced and can still be purchased for an affordable price.
If youβre just searching for the sound of the NS10sβ¦ then I have to scratch my head and ask why? The NS10s really only got as popular as they did because Yamaha gave them out for free to studios. Studios used them because they didnt cost anything, not because they loved them. But since so many studios used them everyone just assumed they were amazing and they got hyped up.
A pair of NS10s arent going to magically make your mixes better. No speakers are going to make your mixes better. For good mixes you need to LEARN YOUR SPEAKERS and learn how they translate.
I suspect youβre looking for a quick fix / shortcut to better mixes and youβve read some stuff on the internet so you think βif only my monitors sounded like those yammiesβ¦β
Hate to break it to you but every studio engineer who used NS10s had to learn the speakers and the room as well.
What you need is a good pair of nonflattering nearfield monitors. Neumann makes the best right now in my opinion.
But you can mix on anything if you learn the room, use reference mixes and have some headphones/cars to check mixes in while you learn the room
NS10s have great transient response without having impressive top and bottom; it's much more than "they were cheap so everyone got them".
So for anyone who knows and wants an NS10 experience, I agree - just buy some.
The people who it DOESN'T make sense for is those who've never used them. Tracking down a passive obsolete speaker with spare parts rapidly becoming unobtanium? Sounds pretty daft to me.
And I sort-of disagree that they're good value. They're a lot of money for something that still needs a really decent amp to get the best out of them, (the yamaha amps are ok, something like a bryston is a world above). For similar money, you could get some really good speakers.
Amphions and Unity Audio Rocks do similar punch/transient response whilst sounding a whole lot more pleasant.
I've not tried the CLA10s, but maybe they can do the same thing, even if they don't "sound the same". If you've never worked on NS10s properly, then maybe that'll be fine.
I wouldn't buy a pair now, and I've used them plenty!