Quote:
Originally Posted by
Gorloch
β‘οΈ
Wow, started posting that reply, got caught up and work, and a whole bunch of discussion happened before I hit submit.
So the arp does the regular arp things! Excellent.
I guess really down to do I trust worrying about tuning live. Which, I dunno, I live in California and donβt tour. Weather is always somewhat moderate here. Might be worth a roll of the dice, not yet playing out consistently still anyhow, so I probably shouldnβt worry about that aspect too much.
Iβll get out and demo one this weekend. Thanks for the input, yβall.
Where I live, in Europe, we can experience extreme temperatures during the year, from -15ΒΊC to +44ΒΊC. And from +35ΒΊC to +13ΒΊC in one single day, for example. Humidity levels here are also very volatile. I do not have A/C in the studio and the heat system is not very powerful either here.
In my experience, I use my Prologue 16 and, so far, I did not detect any relevant problems with its tuning stability (in the studio or playing live). The only tuning with my Prologue is the automatic tuning that it makes when you turn it on. I do not use the auto-tuning function during a session, normally. The experience with my OB-6 is similar, also very stable.
I think that modern analogue synths are well designed, in general, for live or studio use in general. At least the ones I use.
In fact, I love the sound, versatility and stability of this modern analog synth. It is a master piece of gear in my opinion.