The Soundelux U195 is a cardioid FET condenser microphone with large diaphragm inspired by the legendary K67 capsule.
The Soundelux U195 has been reissued by David Bock, the original Soundelux designer, and is an exact reissue of the Elux 195 as it was also known then. It features a unique tone control switch that offers either a flat frequency response with a high- end boost or a Fat mode providing a boost between 10Hz and 400Hz recreating the tone of vintage valve microphones. The mode works by affecting the negative feedback built into the circuit. The U195 also includes a non-capacitive pad which reduces the mic’s sensitivity by 10DB, and a Low Cut switch which cuts by 10dB at 20Hz.
The electronics doesn’t include any surface mount components, using instead low ESR electrolytic capacitors, and a unique FET circuit. This results in impressively low noise and extended HF characteristics. The U195 also boasts impressive headroom avoiding the harshness of other FET microphones while a large output transformer ensures a coherent signal across the full audio spectrum. As a result this microphone is capable to deal with really large dynamics.
Soundelux U195 (set FLAT/close mic'd) tonight.
I decided to delete the vocal clip, as IMHO my soft vocal approach, wasn't the best for the song.
(Honky Tonk Man/Johnny Horton)
But a "thanks", if you listened.
Chris
...basic setup we begun with on drums: KickIn - D112 or M88 - Avedis MA5 - API560 KickOut - U195 - Console - API560 SnTp1 - KM84 - Console SnTp2 - Unidyne III - Neve 1064 SnBt - MD441 - Console Hats - KM86 - Capi VP28 Ride - KM86 - 33105 Crotch - RCA 77 - x73 - 1176 Toms - e22S...
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But for other Readers…
Warm 47 is the Tube version.
My Soundelux U195 was factory modified per David Bock’s guidance (by 3U) to be somewhat less “veiled”/Vintage-y in Tone.
There were some Proprietary steps involved too.
It’s less of a crap shoot with the newer Octava 319’s. (Internals were...