I have had a s7mb for months, which is much different than condenser mics, my vocal chain for my s7mb just doesn’t sound right on my new mic that is similar to a TLM 103. There are a lot of videos online how to specifically EQ vocals for a s7mb since its infamous for its dark sound so i used those videos to EQ it but i can’t really find any quality videos on how to EQ or mix a mic that similar to TLM 103.

Do yall like using pultec or something like Pro Q4 for these type of mics?

Which plugin you use doesn't matter as much as what you do with it.
You really just have to take the time and get to know what to listen for. There's no shortcut. And there's no "one size fits all" for equing any source or mic.
You probably had to add highs with an sm7b (which is a dynamic mic). Now you have a condenser, so the high end will change drastically to the point where you may not add any highs... And may even take some away.
How you EQ is going to rely on a lot of variables. What's your room sound like? How close do you get to the mic? Is the mic above or below or level with your mouth while you're recording? Is it off axis at all? All these factors will affect the tone of your recorded sound. And that doesn't yet take into consideration at all what your actual source sounds like, which is the most important thing.
There's no shortcut to doing this. You just have to spend the time it takes to develop your ear and understand what happens at different frequencies so you know what to do when you hear something that needs adjusted.
Maybe try posting some samples of what you've recorded and people might chime in with suggestions...

Using EQ is a popular choice to achieving a professional sound.

Enjoy your day!

there shouldn't be a "magic" setting for an equalizer for all program sources. the whole point of an equalizer is to change the frequency spectrum. if it was the same change every time, you wouldn't need parameters. it would be a batch operation, like normalize or convert from WAV to AIFF.

you equalize a sound by listening to it, and making context-dependent adjustments.

you can make progress by using the "Marco Polo" technique: grab an eq handle, and start moving it around. is the sound getting better? move a bit more in that direction, or leave things where you placed them. is it getting worse? move in a different direction (the opposite direction is a good place to start). not sure what you did or why? delete the eq point. if you don't know where to start, start anywhere. once you have made progress in one part of the frequency spectrum, grab another eq handle and do the same Marco Polo technique in another part of the frequency spectrum. after three or four (or less) eq points have been plotted, you've probably done enough.

EQ is a fine thing, but a lot of what makes those microphones sound the way they do has to do with nonlinearity and not something that you can change with EQ.

Also, EQ after the fact will change the response both on and off-axis, while many of those microphones have very different response off-axis and on-axis and that can be a big part of their sound.

Don't be afraid to use EQ, but it's not a magic tool that can make anything sound like anything else.
--scott

Your "new mic that is similar to a TLM103" – so... does that mean a TLM103 knockoff from Ali Express, or something like that? If so, it might just not be a good-quality mic. The SM7B isn't anything special but it is, at least, a good-quality microphone. So you might be hearing the difference between a mic that's built well and a mic that isn't. EQ isn't ever going to fix that.

A U87, or any other good-quality LDC, will need EQ based on the context in which it's being used. I often apply none to mine, other than a high-pass filter (at 40Hz or 80Hz or whatever, depending on situation). The best practices of EQ are going to work across the board, with all mics, and require you to be able to identify which specific problems exist, by ear.

What you said. If it’s a cheap knockoff, eq not gonna help. If it’s a quality mic, basic eq will get it in line. Some HP, and maybe dip something up the spectrum if a certain “not so great “ freq is getting emphasized.