Quote:
Originally Posted by
futur2
β‘οΈ
which company? thermionic?
the thing i'm really pissed but that's another story is focal. they don't even have a number on their site. my dealer was also no help.
Hi,
Sorry I've been away at the Music Messe but I can't see any emails to us at Unity Audio, the international distributors for Thermionic Culture (
[email protected] ) or any messages via the phone on UK+ 1440 785843 regarding this. We're always keen to help and respond to questions of any nature regarding Thermionic Culture.
Is the question you're asking what is the difference between a standard model and a mastering? If so then it's the following;
Phoenix M/C Master version (suffix M) has stepped input gain and output controls, and switched threshold, attack and release. The input gain structure is different as it's intended to be dealing with stereo program material rather than individual sources,
A side chain filter has now been added to provide 75Hz & 150Hz, but more permutations are possible when the MC is used in stereo mode with the link switch engaged.
The Master Phoenix is easier to recall as it has a mixture of indented and switched controls and the screwdriver adjustment on the chassis behind the meters controls the current through the valves on this unit, so this corrects to some extent for valve ageing. A screwdriver is supplied with the Master Phoenix and should be used periodically to adjust the meters to zero
Stepped Input & Output controls * 6 position switched attack control * 7 position switched release control * 11 position switched threshold control. I hope this clears up the features set, the tubes and wiring etc are otherwise the same as the standard model.
Also, for the record, here is the contents of Peter Katis's email regarding the Phoneix M/C Vs the his standard model and our reply.
" I'm enjoying the Master Compressor, but it does sound a little different from mine...perhaps a little cleaner? Is that possible?"- Peter Katis
"I asked the guys at Thermionic regarding any sonic differences between a standard and a mastering model and there should be any real difference as it's the same circuit , tubes, etc. The one area that could make it sound cleaner is the input, as they had to put a cap on it as the gain structure is different as it's intended to be used primarily for stereo bus and mastering work, so it might not be so possible to slam the front end in comparison to a standard model. " Kevlar -Unity Audio